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North suburbs; South suburbs; West suburbs; indoor fun; outdoor fun; seasonal fun; giveaways; Calendar; Discount Tickets; Chicago Area Pumpkin Patch Guide 2014.Chicago Pumpkin Patches & Events Guide « CBS Chicago. By Lauren Wulf. Halloween in Chicago is in full swing. Get in the spirit with all things pumpkin in Chicago! Below you’ll find pumpkin patch guides, pumpkin carving parties and plenty of other pumpkin themed events to keep you busy. The very best pumpkin farms in Chicago to visit in 2014. Exotic petting zoos, zombie paintball rides, corn mazes and more make Halloween 2014 one to remember. Chicago area pumpkin patches. Sonny Acres Pumpkin Farm Voted #1 Pumpkin Patch in America Voted America’s best pumpkin patch by MSN & ChicagoNow! Open daily from 10:00 – 6:00pm September 17th – October 31st 2016. Goebbert's Pumpkin Patch. Glass pumpkins on display at the Morton Arboretum. Sonny Acres(29W310 North Ave, West Chicago; 630-231-3859. Open through Oct 31.) You’ll find plenty of pumpkins at this west-suburban mainstay. There are quite a few pumpkin patches north, south, east and west of the city, each with something a little different to offer. Division Street. Chicago, IL 6. Get in the Halloween spirit by carving a pumpkin at The Boundary. They will provide the pumpkins for just $5. Take them home to display or leave them there and they will show them off for all to see. While you’re in, enjoy a free make- your- own candy apple bar. Taste one of their numerous pumpkin- flavored beers and enjoy one of the rotating weekly food specials. From 4- 6pm is family time, so bring the kids in early to enjoy a family- friendly atmosphere. Fairbanks Court. Chicago, IL 6. Timothy. OTooles. Seventh Annual Pumpkin Carving Contest. Prizes (and bragging rights) will be awarded to the top three pumpkin artists. Competing carvers may enjoy the pub’s Pumpkin Martini (Stoli Vanilla, pumpkin liqueur, cream, whipped cream and graham cracker rim, $1. 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Pop Art A Continuing History. 14-08-2016 2/2 Pop Art A Continuing History. Other Files Available to Download Http:// http:// Pop Art A Continuing History. 8-08-2016 2/2 Pop Art A Continuing History. Other Files Available. Although he is most closely associated with his support for Abstract Expressionism, and in particular Jackson Pollock, his views closely shaped the work of many other artists, including Helen Frankenthaler, Morris Louis, and Kenneth Noland. His attention to the formal properties of art - color, line, space and so forth - his rigorous approach to criticism, and his understanding of the development of modern art - although they have all been challenged - have influenced generations of critics and historians. Greenberg was born in the Bronx, the eldest of four children. His parents were first- generation Jewish Lithuanian immigrants who lived briefly in Norfolk, Virginia, but kept New York City their permanent home.
Greenberg's father was reportedly a difficult man to live with; emotionally distant and inflexible, he worked various jobs as a button- hole maker, candy store proprietor, and finally as the owner of a chain of clothing stores. Both before and after Clement's college years, his father repeatedly pressured him to enter the world of business, which for a time proved successful, but not for long.- - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - - Early Years. Greenberg graduated from Syracuse University in 1. English Literature. After graduation, he wandered aimlessly through a series of jobs with newspapers and credit agencies. While on a business trip to California in 1. They moved in with her mother in Carmel, and two years later they had a son, Danny, but a few years later Greenberg was divorced and moved back to New York City, where he lived for the rest of his life. Back in New York, Greenberg began making connections with various critics and writers, most of whom were Jewish Trotskyites who became known as the New York Intellectuals (Harold Rosenberg was also part of this group). He first established his reputation writing for Partisan Review, which at the time was the seminal publication for culture and the arts in the city, with offices near Astor Place in Greenwich Village. In particular he published . But other essays during this time also put forth his views on modern European painting by the likes of Pierre- Auguste Renoir, Paul C. By this time he was an associate editor at Commentary Magazine. He was also the art critic for the leftist magazine The Nation; during this time New York was beginning the phase that would see it outstrip Paris as a center for modern art. World War II and the atrocities of Nazi Germany had forced many artists, writers, and intellectuals to immigrate to New York, and many gravitated to Greenwich Village. Greenberg deeply loved the new modern art that was coming out of New York at this time. Artists like Arshile Gorky, David Smith, Willem de Kooning, and Jackson Pollock were all, in Greenberg's view, creating art that was far superior to that being created in Europe. Greenberg's political views shifted greatly after the war. While he had been a strong supporter of Socialist ideas and anti- war sentiment prior to America's entry into the war, he soon became a staunch anti- Communist, and parted ways with The Nation in 1. In 1. 95. 0, Greenberg became a part of the CIA- sponsored American Committee for Cultural Freedom, of which Pollock was also a member. During the Cold War, this committee was designed to sponsor public intellectuals and create a forum for them, a forum which would be implicitly critical of Soviet Communism. Beginning in the early 1. Greenberg started a love affair with the artist Helen Frankenthaler, which ended in 1. He had a reputation for womanizing and is said to have seduced several female students while teaching at Bennington College. In 1. 95. 7 he was relieved of his duties as an associate editor at Commentary - supposedly due to his erratic temper. At this time he decided to return to writing art criticism, and he began revising many of his essays in order to publish an anthology of his work that later appeared in the book Art and Culture (1. His work in the 1. French art and collage, and in his essay . Throughout most of the 1. Morris Louis, and is thought to have had a great influence on him. After Louis' death from lung cancer in 1. Greenberg altered much of the artist's work, editing lines, stripes and even the size of some canvases. Greenberg justified the alterations by insisting that Smith was not an important colorist, thus his changes were not hurting Smith's works.)Late Years. Greenberg's work as a critic slowed after 1. Instead he focused his time on revising old essays to accommodate changes in the art world, as well as his own feelings about art. He also secured many speaking and lecturing engagements, and became an adviser to several galleries and museums. In 1. 96. 4, he curated a show at the Los Angeles County Museum of Art titled Post- painterly Abstraction, a term he coined to showcase works by Ellsworth Kelly, Frank Stella, and other prominent American artists whose work fell outside the realm of 1. Pop art, of which Greenberg was critical. Legacy. Greenberg cannot be summed up in a single phrase because he never did likewise with his subjects. The only things worth writing about, he believed, were the things that couldn't be easily solved, or solved at all. Puzzles are what fascinated him, and he believed that all great art can be experiential - it's an experience not only of what consumes the canvas, but what consumes the artist, and no truly great artist lives in a vacuum. Great art, and the artists who create it, are living and breathing vessels of the art that came before them. To experience great art is to experience the greatness of civilization. Greenberg's analytical approach to art lent art criticism a degree of rigor that it had not previously enjoyed. While many of his ideas have been abandoned in contemporary criticism (no longer does popular art criticism make such a harsh distinctions between high art and kitsch), his objectivity and literary breadth have unquestionably influenced criticism. Greenberg's Ideas. On the Avant- garde. Among Greenberg's most important early essays was . It formed the foundation for much of his later thought. In it he put forth a complex argument about the genesis of the avant- garde and its continued purpose. High art had once been the authentic purveyor of the values of the bourgeoisie, Greenberg argued, but as the position of that class had been weakened in the late nineteenth century and as their culture had become increasingly materialistic, artists had begun to break away and form an avant- garde. This avant- garde was still supported by the more progressive members of the bourgeoisie, and it acted, in essence, as the guardian and defender of their ideals. This, Greenberg believed, was the basis of the continued value of the avant- garde, and more particularly of abstract art; as mainstream culture became increasingly commercial, and as the cultures of regimes such as those of the Nazis and the Communists became increasingly repressive, the only hope for the continued survival of high culture itself was the avant- garde. On the Origins of Modern Art. Greenberg first laid down his interpretation of the development of modern art in . The ideas presented here remained foundational for his later writing, although . It was later, however, in essays such as . Rosenberg - Abstraction vs. Action. On Cubism. An evolution can be discerned in Greenberg's attitude towards Cubism. In part, this attitude reflected Greenberg's growing chauvinism in the late 1. The term soon became widely popular as a means to discuss the appearance and rationale behind work by artists such as Jackson Pollock and Barnett Newman. Greenberg begins the essay by praising the . However, this tradition has been threatened, Greenberg argues, by the advent of modern painting, and . This has led, Greenberg argues, to the emergence of a new mode of painting: the . It corresponds perhaps to the feeling that all hierarchical distinctions have been exhausted, that no area or order of experience is either intrinsically or relatively superior to any other. The essay represents one of Greenberg's central statements about the development of modern art. It tackles the development of Abstract Expressionism; it argues for the radicalism of Color Field painting - relating it to Impressionism rather than Cubism; and argues that modern art evolved while pursuing ever- greater pictorial flatness. Google Books: Text of. The Australian National Eisteddfod invites entries in more than 200 age groups and level based sections from 6 years and under to open, for solo and group performance and competition in voice and instrument. Vocal & Instrumental Program; Speech & Drama Program; Dance Program; Sponsors; Photography; Contact. 2016 City of Orange Eisteddfod will occur between the following dates; Speech and Drama – 1st – 7th August. In 2013 Rhian was in t . Farleigh Vocal Scholarship from Cowra Eisteddfod and in 2012 Rhian won the Joan Sutherland Memorial Award from Sydney Eisteddfod. Title: Canowindra Phoenix, Author: Canowindra Phoenix, Name: issue. Your guide to what's happening in and around Canowindra NSW. 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GROUP DANCING INSTRUCTIONS. The venue for the Cowra Eisteddfod is the Cowra Civic Centre, Darling Street Cowra. Cowra Eisteddfod 2012 ProgrammePSSA Touch Football. PSSA Sport. Mortimer Shield Trent Barret Shield. Rugby League Semi Finalists. Girls League Tag*Anzac Day Ceremony*Excursions*Boorowa Show*Education Week Celebrations Book Week*Visiting Performances* Eisteddfods. Extra- curricular Activities*Theme Days. Mrs Denise Corkhill LASTLearning And Support Teacher. Mrs Bronwyn Lochrin Years 1/2 Reading Recovery SLST trained. L3 Stage One Training Teacher Mrs Carol Harpley Year 4 Mrs Angela Gay Kindergarten Reading Recovery SLST trained. DEC Lit/Num Leader K- 2. L3 Regional Trainer Ms Trudy Mahoney Year 5/6 Reading Recovery SLST trained. New Curriculum Leader Mrs Peta Proudford. Year K RFF K- 6 L3 Trained Teacher. Our Primary Staff Team. Ms Melanie Knowles Reading Recovery. Super Support Staff. Ms Laurelle Nosworthy. SLSOMs Marg Abbey SLSO/SASSMr Ron Simpson. SLSOMrs Di Sykes. SASS/SLSOMrs Michelle Cusack. SLSO/SASSMrs Jo Howlett. SLSO Writing. Interactive Writing. Independent Writing. Handwriting- Fine motor skills groups. Guided Writing. The team will form an individual strategic plan to support the needs of the student. Services accessed include: Speech Pathology. Occupational Therapy. Counselling. Community Health Services. Behaviour Support. Early Intervention. All information discussed is highly confidential and parents are very much a part of the process when developing a plan of action. BCS Learning Support Team. Speech Therapist- Ros. Counsellor- Kylie. Interactive Whiteboards. Technology as a Tool. Connected classrooms. Computer Labs. I Pads. Perceptual Motor Program. K- 2 PD H PEDaily Does It. Fitness & PE Program. Move and Groove. Dance. Gym Jellybeans. Gymnastics. Infants Aquatics. Playground. What makes a Central School like BCS so Special. Parents will tour the school, share lunch with K parents 2. Each week students are encouraged to participate in these morning sessions from 9am until 1. All children are welcome to attend any or every session. Parents are welcome to attend and there are no fees. Kindy Start 2. 01. A Quality Start. Quality Teaching Tools. FISH Philosophy. 10. Kinaesthetic, Auditory & Visual Learning. Reading. Guided. Reading. It is run by a team of highly qualified Early Childhood Educators, Speech Therapists, Occupational Therapists and other professionals when needed. Children attend, with family support, if an area of their development has been identified as needing intervention, particularly prior to school. The Buddy Bear Program. Kindergarten and their Buddies. Sponsored By The Alannah and Madeline Foundation. A Day in the Life of a Kindergarten Studentat BCSLiteracy Session . On these 2 full days children will experience school life as it will be at the commencement of 2. Observations will be made throughout Kindy Start in the areas of: Language and communication skills, social and emotional skills, memory and attention, and motor skills. If necessary transition meetings are held between Boorowa Preschool Director, parents, Early Intervention professionals, support staff, class teacher and the school counsellor. Some areas of need have been: Severe Language Delay Autism. Separation Anxiety Disorder Superior intelligences. Anaphylaxis Allergies Aspergers. CMIT- Count Me In Too. Assessment Data from Best start and SENA is used to group students on an Early Learning plan for the aspects of counting sequences, counting as a problem solving process, pattern as a repeated unit, place value and multiplication and division. The students use fun games and activities in combination with Language to consolidate concepts. The aim of the document is to extend and enrich children. During these sessions we talk about things such as: homework, reading, language in the home, motor skills, school procedures eg. The purpose of the Best Start Kindergarten Assessment process is to provide informationfor Kindergarten teachers to: *build on each student. Language Learning and Literacy (L3) is a program for Kindergarten students. It is a research- based Kindergarten intervention, targeting text reading and writing. L3 has been designed to complement the daily Literacy program for students who enter school with diverse backgrounds. Key Features of L3. In an L3 classroom: *Students receive systematic , explicit instruction in reading and writing within small groups of 3 or 4.*Students participate in carefully selected independent, individual or group literacy learning tasks .*Progress and teaching strategies are informed by the systematic collection of data.*The components of L3 are consistent with the English K- 6 syllabus . Numeracy Session- Mid morning K- 6. 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